Title: Che - The Argentine
Director: Steven Soderbergh
Years
2009 Genre: Drama , Historic
On 26 November 1956, the Argentine doctor Ernesto Guevara sails to the island of Cuba with a young lawyer named Fidel Castro and 80 more rebels determined to overthrow the dictatorship of Fulgencio Batista with a revolution. Doctor, strategist and tireless fighter, the "What ", leading a column of men, after a long period of exhausting the Sierra Maestra , conquer the city of Santa Clara and meet comrades to march on L 'Havana.
What appears on the screens, after eight years of work, What is the of Soderbergh, what no one else could do in a similar way, what the author Soderbergh and producer bears the indelible mark even where it treads new paths, and also just because it tramples on them. Breaking up the conventions of continuity, with an ex back and forth in time (looking back to the terrace of the first meeting with Fidel) and movements in space-from tropical forest to the United Nations Headquarters - that say a lot about the versatility of the protagonist, Soderbergh also speaks of himself, of his films, which bounces between exploration and diplomacy, including images UltraVivid adventure (filmed with Redcam) and those declined in glamorous black and white branded North America and society of the spectacle.
are two tracks: on one hand makes its way a leader, asthma and strokes among the enemies of the rifles, the other a star is born, under the flashing cameras and interviews romantic. In this sense, in his film anything but respectful and declamatory, the director takes a clear stance by saying that it is not the goal (the) interest, not the icon, but the journey.
The character of Che Guevara (re) born into the body more massive than Benicio Del Toro (light years away from the sensitive kid Motorcycle Diaries) and is built on actions, tone of voice, fury of the gaze: first film with guns than with those of history. Unfortunately
Che - The Argentine not fully appreciated due to a dubbing that has no reason to exist, leveling, decontextualized, alter the character of its foreign character, and because it is probably as a film-experience in its total duration of four hours and the desired gap between the two component parts, which is enriched with meaning. Besides, what makes Soderbergh is exactly that: to enter the experiential dimension of the revolution, to the rhythm of the steps tired of sleepless nights, the decisions to be taken at the time, the errors for all, to tell a man who made a practice of an idea, to expose us, in practice, the idea of \u200b\u200bcinema.
Sreaming: Part 1, Part 2
Download : Part 1, Part 2
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